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	Search results for A.    Refine your search Creator 8 () 5 () 4 () 3 () 3 () 2 () 2 () 2 () 2 () 2 () results 121-140 of 169 item(s)  page 7 of 9 : ( <<  1  2  3  4  5  6  7  8  9  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 121. [Bookplate for University of British Columbia Library] Black ink on white paper. Stylized UBC shield lies on top of Lions Club symbol. Text above and below picture. 122. [Bookplate for University of Florida Library] Black ink on white paper. Narrow double border surrounds text and cameo-style portrait. 123. [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T. 124. [Bookplate for L. Emile Grothé by Aimé Dufesne] Black ink on white paper. Border has white outlines, shaded for a three-dimensional effect and is filled in with thin black lines. The top and bottom sides of the border indent in the middle with squared corners. The left and right sides of the border indent in the middle with rounded corners. The top half of the bookplate has diagonal black lines extending wider from the centre. The top left corner features a person wearing a feathered headdress and a sash holding arrows in their left hand and a bow in their right hand. They are standing on a decorative ledge connected to the border and sitting atop of an elaborate curlicue. The right corner has the same curlicue and ledge and a person in a long coat and striped hat holding a pouch stands atop it. Between the two figures is an open book. The bottom of the top half of the bookplate contains half a round map of the world surrounded by a thick border of the same style as the overall bookplate border. The owner’s motto is written across the map’s border in thin, capitalized, sans-serif font. A rectangular border of the same design sits in the centre of the bookplate. The top of the border features large, captitalized, serif block font. The font is white with a black background and white stripes surrounding that background. On either side of that text are half circle decorations in a vertical stack between two thin white borders. The centre of the rectangle within the borders has a grey background with capitalized, sans-serif block font printed on top. The font is black with a white outline and dark shading. Two shields hang below the rectangle on the left and right side. The shield on the left is argent with sable dots per fess. The top third of the crest is charged with two fleurs-des-lis. The central portion of the crest, featuring sable and argent stripes. is charged with a lion passant guardant. The bottom third of the crest is charged with three maple leaves with connected stems. The shield on the right is per pale consisting of sable and argent stripes and argent with sable dots. The left side is charged with two lions passant that are argent with sable dots. The right side is charged with a lion sejant erect and eight hearts, each of which are sable and argent striped. Between the two crests, hanging from the central rectangular feature, is a checkered black rectangle with white borders on the left, right, and bottom sides. White curlicues extend from the left and right sides. Similar curlicues, leafy decoration, and black strip adorned with small circles extend from the bottom of the rectangle. The background of the bottom half of the bookplate not covered with other decorative features has the same black stripes as the top half. In the bottom left and right corners of the bookplate are four books each, spines facing out. Next to the books on the left is a black inkwell with two feather quills in it. Next to the inkwell is a beehive on a wooden platform surrounded by five bees. On the right of the beehive is an oil lamp with a bright flame burning. Outside the bottom border, inside the indent, the bookplate creator’s name and date of creation is printed in thin, black, sentence-case, serif font. 125. [Bookplate for A. Renand and U.E. Archambault] Black ink on white paper. Border consists of two intertwined braided strands with elaborate corners. Decorative gothic font at the top of the bookplate is surrounded by lines with geometric accents. Smaller, sans serif, capitalized, black font is below surrounded by matching lines. There are three rows of dotted lines. Between the lines, smaller text is printed in serif, capitalized, black font. Underneath is italicized, black font in various sizes. At the bottom of the bookplate is larger, black, cursive font with small, italicized black font in the bottom right corner. 126. [Bookplate for Morley Ayearst by Stanley Howard] Black ink on white paper. Bookplate design mimics a decorative medieval manuscript. An elaborate letter A is decorated with interlocking swirls and a Celtic knot pattern. Decorative features surround the letter and below it is stylized black font surrounded by black dots. There is also text in the same font above and to the right of the letter A. 127. [Bookplate for Hugh John Macdonald] Black ink on white paper. Above the escutcheon on a straight wreath, sits a dexter hand, erased, holding a cross crosslet. Below the wreath a vizored helm with mantling appears. The escutcheon is divided per quarter. The quarterly field near dexter chief is argent (silver) with a lion rampant and near sinister chief, or (gold), is a dexter hand, erased, holding a cross crosslet, gules. The quarterly field near the sinister base displays a fish naiant on water, vert (green) and a lymphad in the dexter base, argent. Below the escutcheon is a banner displaying the originator's Latin motto. 128. [Bookplate for Victoria University] Black ink on tan paper. Victoria University coat of arms and motto at top. Text covers rest of page. 129. [Bookplate for F. E. Gilman] Black ink on pink paper. A patterned border surrounds the name and title of the bookplate owner. The name of the owner is written in capital letters with sans serif font. The title of owner is written in capital letters in stylized serif font. 130. [Bookplate for William Alfred Howard by W. A. Howard] Black ink on off-white paper. The image shows a corner of an office or study. A wooden armchair is pulled out from a desk with a table lamp and open books, which face a multipaned window. To the left is a fireplace with a framed picture above it and a floor-to-ceiling built-in bookcase. 131. [Bookplate for F. E. Gilman] Black ink on off-white paper. A patterned border surrounds the name and title of the bookplate owner. The name of the owner is written in capital letters with sans serif font. The title of owner is written in capital letters in stylized serif font. 132. [Bookplate for Dundas Mechanics’ Institute] Black ink on grey paper. A border made up of small squares surrounds the title of the library, its opening hours, and its borrowing policies. Beneath the title of the library is a dividing line made up of vertical lines. Beneath the row listing the library’s business hours is a grid categorizing the section, shelf, book number, and class, with several hand-written notes in faded black ink. 133. [Bookplate for Dundas Mechanics’ Institute] Black ink on grey paper. A border made up of small squares surrounds the title of the library, its opening hours, and its borrowing policies. Beneath the title of the library is a dividing line made up of vertical lines. Beneath the row listing the library’s business hours is a grid categorizing the section, shelf, book number, and class, with several hand-written notes in faded black ink. 134. [Bookplate for Dundas Mechanics’ Institute] Black ink on grey paper. A border made up of small squares surrounds the title of the library, its opening hours, and its borrowing policies. Beneath the title of the library is a dividing line made up of vertical lines. Beneath the row listing the library’s business hours is a grid categorizing the section, shelf, book number, and class, with several hand-written notes in faded black ink. 135. [Bookplate for A. Demers] Black ink on grey paper. A beaded border surrounds the title of the law practice and location. A double-underline is printed above a filled in number line. 136. [Bookplate for Parker] Black ink on cream paper. Within a thin, single-line border sits a lancet arch with a coat of arms at the top. Floating above the coat of arms is a Western-style miter. Within the arch, the name of the reading room and details on the specific book loan is printed. 137. [Bookplate for A. C. Jones by Clare Victor Dwiggins] Black ink on cream paper. The border of the bookplate consists of intertwined thorny and leafy vines with thicker leaves in the corners. The top left and right corners also feature rose-like flowers. Near the top of the border, vines extend from the left and right sides towards the center of the bookplate design. Capitalized, black, whimsical font is at the top of the bookplate. Dots surround some of the words and some letters are looping or intertwined. In the center of the bookplate, a tall, thin, beautiful woman in a whimsical fluted dress stands atop a closed book. The woman’s hair is done up and decorated with flowers. Flowers also decorate the top of the dress, the bottom of which features a spiral pattern. The dress is cinched at the waist with a belt and similarly cinched around the thighs with a large ribbon tied in a bow. The bottom of the dress extends outwards and there is a lacey layer underneath. The woman is wearing slip-on high heels with bows on the front. Next to the large book the woman is standing on are two books, one small one in front of the book sitting on its side. The other book is standing upright and is behind the large book. The woman is bending towards a small, naked cherub with a single curl atop its head and feathery wings. The cherub is standing in front of a book open and standing on its pages with the spine up. The cherub is also holding an open book and looking smilingly up at the woman. Behind the woman, the bookplate creator’s name is printed in curling, capitalized, black font. At the bottom of the bookplate, the owner’s name is printed in black, gothic, sentence case font. 138. [Bookplate for Stanley Harrod] Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons. 139. [Bookplate for Iser Steiman M.D. by A. N. T.] Black ink on cream paper. Man, no shoes, chest bare, book hugged against torso with left arm, while right arm holds open a book held at eye level. Sunlight illuminates the man. Deciduous tree in foreground. Hills in background. 140. [Bookplate for William Greening and Cornelia Greening by A. N. Macdonald] Black ink on cream paper. Elaborately decorated frame surrounds three round images, two small ones atop a larger, oval one. The border has a shelf-like appearance with the top featuring a series of curling, heart-shaped decorations with a large, spiraling curlicue extending to the left and right. The very centre of the top element features a leaf-like decoration pointing upwards. The top half of the sides of the border features symmetrical leafy curlicue decorations that extend downwards with a pseudo-fleurs-de-lis to a line of elaborate floral decorations. The large oval image extends to the sides of the borders and below the oval are decorations on both the left and right sides. The left side features a tennis racket entwined in leafy decoration. The right side contains golf clubs in the same leafy decoration. Leafy decoration also surround the two small images inside the border, which are connected by two wrapping ribbons in the centre. The image on the left features an explorer holding a walking stick and wearing a hat looking out onto a nature landscape. The landscape includes water and a mountain topped with clouds. The image on the right contains a road curving to the right. The right side of the road features foliage, including several palm trees. The large, central image shows a house with some of its garden in the foreground. The forefront of the image is a simple lawn, followed by several small trees on the left with plants in barrels, a table, and several chairs on the right. Between the trees and chairs is a path leading further into the garden and towards the house. The house is quite large and has at least two stories and a sheltered porch. Towards the other end of the house and garden are taller trees. Below the images is a rectangular box with a border. The border consists of two thin white lines with a darker centre between them. The centre of the rectangle contains text written in capitalized serif font in varying sizes. Below the rectangle, the artist’s name and date of creation is written in small, sentence-case serif font. Handwritten note in pencil on the back. select all : clear all : add to favorites results 121-140 of 169 item(s)  page 7 of 9 : ( <<  1  2  3  4  5  6  7  8  9  >> ) :: previous : next
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